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  1. 研究紀要 1-10
  2. 第2号

當麻曼荼羅考 ―淨土変相図の日本流入と展開の一考察―

https://doi.org/10.15056/00000278
https://doi.org/10.15056/00000278
88d20475-62e9-4944-afcd-f3b3d26ba58b
名前 / ファイル ライセンス アクション
2 當麻曼荼羅考 ―淨土変相図の日本流入と展開の一考察― (4.0 MB)
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Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2013-09-10
タイトル
タイトル 當麻曼荼羅考 ―淨土変相図の日本流入と展開の一考察―
言語 ja
タイトル
タイトル The Origin of Japanese Paradise Painting
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ID登録
ID登録 10.15056/00000278
ID登録タイプ JaLC
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
著者 杉山, 二郎

× 杉山, 二郎

CiNii ID 1410572174834180097

ja 杉山, 二郎
ISNI 国際仏教学大学院大学 0000 0001 2232 4194

ja-Kana スギヤマ, ジロウ

en Sugiyama, Jirō
Jiro Sugiyama

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内容記述タイプ Abstract
内容記述 The Taima-ji temple is situated in the southern part of Nara prefecture. This temple is thought to have been founded in the 7^<th> century. At that time, the Fujiwara capital, the Yakushi-ji temple and the Taigantaiji temple were built by the government, but unlike these, the Taima-ji temple was built privately. Its main buildings are the Kondo, Mandarado, and two stupas. An image of Maitreya Buddha made of clay is seated in the Kondo, and this is an early example of the use of clay. This technique was imported by Chinese T'ang dynastic technologists. The Taima clan provided the chief priest for funeral ceremonies and, more importantly, the writer of the funeral orations. Mount Futagami lies to the west of Taima-ji temple. Its summit resembles the Bactrain Camel and with the evening sun setting behind, ancient Japanese no doubt imagined it to be the "faster gate" to the Buddhist paradise. The Mandarado was constructed to the west of the temple and housed the painting of the Amitabha Buddhist paradise, one of the best examples of such a painting in Japan. It was produced in about the latter half of the 8^<th> century. I consider these monuments from the point of view of Buddhist culture, and not merely as Japanese Buddhist art but also as Chinese, central Asiatic, Indian and western Asiatic art. I focus on the problem of the cave temples painting and the image of Maitreya Bodhisattva, the Maitreya Buddha image and Amitabha Buddha in the 7^<th>-8^<th> century in Japan. The worship of Maitreya and Amitabha is of particular interest to me, and I feel that Taima-ji temple contains the best samples of art connected with Buddhist worship from Maitreya Buddha to Amitabha. Buddha.
bibliographic_information ja : 国際仏教学大学院大学研究紀要
en : Journal of the International College for Advanced Buddhist Studies

巻 2, p. 83-136, ページ数 54, 発行日 1999-03-31
出版者
出版者 国際仏教学大学院大学
言語 ja
item_10002_source_id_9
収録物識別子タイプ ISSN
収録物識別子 1343-4128
item_10002_source_id_11
収録物識別子タイプ NCID
収録物識別子 AA11260687
item_10002_description_12
内容記述タイプ Other
内容記述 110006481941
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
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